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Contact Awards Coordinator Abbi Martzall via email or by phone 317/927-8000, ext. 210.

Awards & Honors Committee Chair

Andy Schotz
City editor
The Frederick News-Post
Frederick, Md.
Bio (click to expand) picture Andy Schotz is a city editor for the Frederick News-Post in Frederick, Md.

He has been an SPJ member since 2002 and has held various positions on the Washington, D.C., Pro chapter board, including three consecutive one-year terms as president.

He served on the SPJ Ethics Committee from 2004 to 2011, including three years as chairman.

Schotz ran unsuccessfully for at-large director on the national SPJ board in 2012. The following year, he ran unopposed for Region 2 director.

He is a perennial SPJ contest judge (D.C. Pro Dateline Awards, SDX, Mark of Excellence, Green Eyeshade, high school essay) and has twice coordinated Region 2's Mark of Excellence contest.

He joined the SPJ Awards & Honors Committee in 2013 and helped work on a national survey seeking feedback about the MOE contest.

Before joining The Gazette in January 2013, Schotz worked for eight years as a reporter and editor at The Altamont Enterprise, a weekly paper in upstate New York, then for 13 years as a reporter for The Herald-Mail, a daily paper in Hagerstown, Md. He has worked at The Frederick News-Post since September 2015.

He is on the board of directors of the International Society of Weekly Newspaper Editors.

Sarah Bauer, vice chair
Program Director
Minnesota Newspaper Association
Bio (click to expand) Sarah Bauer is the Program Director for the Minnesota Newspaper Association (MNA). MNA is the trade association all Minnesota Newspapers, and represents the interests of more than 360 daily and weekly publications. Bauer plans all educational and outreach programs for the Association, including hands-on training for journalists, public forums on media issues, an annual excellence in journalism contest, and its annual convention.

Bauer speaks regularly about media ethics issues, community journalism, social media, and issues like the intersection of journalism and politics. Bauer graduated from the University of Minnesota with degrees in journalism and philosophy. She has been involved with the Society of Professional Journalists as member and chapter leader since she joined the University of Minnesota’s chapter. Since 2006, Bauer has served on the MN Pro chapter board of directors, currently serving as the chapter president and chair of its annual journalism award contest and banquet. She is also the chairwoman of the Society’s national membership committee.

SDX 2002 Awards Gallery


Newspaper/Wire Service | Editorial Cartooning

Opinions can bring change

By Tom Moran

I had been writing editorials for a few years when my boss asked me to take over as education editor back in the news department. I nobly agreed to help the paper in its hour of need by giving up my beloved chair on the editorial board. After I negotiated a good raise.

But it didn’t stick. Once you step into the world of opinion writing, there is no going back. I found myself screaming opinions at the newspaper over breakfast. I picked political fights in the cafeteria. My wife begged me to go back to opinion, which I soon did.

What is it about opinion work that keeps us here? On the most exalted level, you can try to help this country live up to its high ideals. Linda Valdez is doing that with her winning editorials on the deaths of illegal Mexican immigrants crossing into Arizona. She has put the issue on the Legislature’s agenda. And if you earn a living while doing something that makes you proud on your death bed, you have a job that is special.

Reporters can shape the public agenda too, of course. But editorial writers work on that full-time. And we can be prescriptive. Reporters can chronicle the plight of the working poor. Editorial writers can say we need to give them tax credits and health insurance. And we can turn up the heat by skewering those who get in the way. If you’re lucky enough to have a cartoonist on board for the skewering part, then you are off and running.

The job has its drawbacks. We can’t be experts on all the topics, even with Google’s help, and it can be exhausting to pretend. When board members can’t reach a clean consensus, the editorial turns to goop. When sloppy reporters miss facts, you can waste time on wild goose chases.

If your newspaper takes its editorial page seriously, this is not an easy job. A generation ago, editorial writers were often the veterans looking for a place to park their tails in the final stages of their careers. They often did no reporting of their own. That can work, but only if the writer has spectacular wit or insight.

The modern editorial writer has to work sources and get out of the office, just like a reporter. A taste for reading great gobs of non-fiction at night helps, too.

But if you’re intellectually curious, and you don’t mind sticking your neck out for a good cause, find a seat on your editorial board.

Tom Moran is Deputy Editorial Page Editor at The Star-Ledger in Newark, N.J. He won the 1999 SDX Award for Editorial Writing.

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Newspaper/Wire Service

Linda Valdez, The Arizona Republic, Phoenix

Linda Valdez, editorial writer for The Arizona Republic, said her award-winning work was inspired by death – specifically, the deaths of 145 illegal Mexican immigrants last year who never made it to the American jobs that they sought.

“They die on their way to jobs that keep costs down in the United States. Jobs at which virtually no attempt is made to enforce laws against hiring the undocumented. They die because they are poor people in search of plentiful jobs – jobs that pay far more in an hour than they would earn in a day in Mexico,” she said. “With each death, I get new inspiration to speak out against this incredible injustice.”

As border patrols have cracked down on illegal immigration in California, Texas, and urban areas of Arizona, many Mexicans elect to take the more dangerous route through harsh Arizona deserts. The trip is too much for many of them, and men, woman and children regularly die from exposure before the trip’s end.

Through Valdez’s editorials, The Arizona Republic has raised awareness of the problems of U.S. immigration policy. The paper pointed out the hypocrisy of a system that relies – and, in some cases, even encourages – the use of low-paid, illegal workers, while at the same time erecting what Valdez calls the “border gauntlet.”

“My husband comes from a small, agricultural village in Mexico,” Valdez said. “Each time we visit, we try to dissuade people from attempting an illegal crossing into the United States because of a laundry list of dangers. They remain unconvinced. They need jobs. They risk all because they know jobs are waiting for them. In fact, they don’t understand why the Border Patrol goes to such efforts to keep them out when the employers are so eager to have them.”

The confusion of these mixed messages, Valdez argues in her editorials, has led to a dangerous system of “people smugglers” in Mexico, as well as a growing number of anti-immigration vigilantes on the U.S. side of the border.

Not surprisingly, the editorials have brought mixed reactions from readers. While many are sympathetic to the paper’s arguments, there are an equal number who vehemently object to Valdez and her ideas about immigration. She said she’s received criticism, both professionally and personally.

But the issue of immigration policy has become an important one in the Arizona legislature, and lawmakers have made plans to discuss border issues. Valdez is reluctant to take credit for these changes, but she admits that the paper undoubtedly had a role.

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Editorial Cartooning

Mike Thompson, Detroit Free Press

Cartoon gallery

Mike Thompson describes his success with a baseball analogy.

“Editorial cartoonists are like baseball pitchers,” he wrote. “Pitchers who can only hurl hard fastballs do not last, nor do pitchers who can only fling breaking balls. The successful ones can toss both.

“An ability to ‘toss both’ is crucial for editorial cartoonists, the best of whom are both hard-hitting and witty simultaneously.”
Thompson’s award-winning work from 2002 shows that he takes that advice seriously in every cartoon he draws. He’s not afraid to tackle the hot stories of the day – be it the war in Iraq, the ongoing scandals in corporate responsibility, or tragedies such as the nine miners who were trapped last year. His cartoons achieve that difficult balance, using humor to drive home his arguments.

“Just like a columnist, an editorial cartoonist’s job is to engage readers, to provoke a reaction and to make their community think about common problems in new ways,” he wrote. “Heavy-handed slam cartoons are easy to produce. Gag cartoons are a dime a dozen. But cartoons that can make readers laugh and think are tougher to pull off.”

Thompson works for the Detroit Free Press, and his cartoons are syndicated to over 400 newspapers across the country. He also freelances for the editorial page of USA Today on a rotating basis.